The Brother Lode

EpixHD, who gave us this wonderful video of Jake doing a promo, just posted about 200 Brothers stills, as well as new video interviews with Jake Gyllenhaal, Natalie Portman and Tobey Maguire. Are you supposed to find prisoners hot?



These are just gorgeous shots of Jake. I love the one with Tommy and Sam graffiti, though I don't think we get a shot of that in the movie.






Jake had great rapport with the two young actresses playing his nieces, and this snowman scene was really fun.





Sadly, this scene is not in the movie. I would have liked to see more of Player Tommy.




And just because:

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A couple of videos - in the first, the trio discuss getting into character:



Natalie and Jake talk about big vs. small. Budgets, people!

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Though he doesn't talk about Jake specifically, Roger Ebert gave Brothers 3.5 stars. Even better, Salon raved (justifiably) about Jake:

Jake Gyllenhaal shines in an undeniably grown-up movie about love and loss in the shadow of Afghanistan. ...

Of the three leads, Gyllenhaal gives the finest performance. He's jittery and charismatic -- his eyes shift uncomfortably, as if he were constantly looking for escape. Among Tommy's problems is the fact that he's never been the favored son. His father, an ex-Marine (played by a gruff, angular-looking Sam Shepard), approves of Sam's courage and sense of responsibility and derides Tommy as the fuckup he is. When Shepard and Gyllenhaal appear in a scene together, the air around them is charged -- it's as if the searching, vulnerable quality in Tommy's eyes registers as a taunt in the manly-man world of his father.

The chemistry is a lot less charged, unfortunately, between Gyllenhaal and Portman. Gyllenhaal is superb at channeling his confused feelings into physical awkwardness. ...

DJake

KCRW, a Los Angeles radio station, has a Guest DJ program, featuring famous folks spinning their favorite records. This week's guest was Jake Gyllenhaal, and his selections focused on the family. Jake discussed his father's musical influence on him, as well as the way music related to his work on Brothers. It's an honest, fascinating glimpse into Jake's influences and experiences. And the audio is now available - it's even better to hear Jake tell these stories and to hear the music.



It's a bit of a tease, because of the categories described, we don't get the last one!



LR: What did you bring to play today?

JG: I brought a few songs that have inspired me in different ways. Some in the car, some on set -- a movie set, and some in bed.

Here are the five tracks Jake chose - note the absence of Trance Hip Hop:

1.) Bruce Springsteen and the E Street Band - The River (Live)
2.) Burl Ives - The Fox
3.) Danny Kaye - Inchworm
4.) Saint-Saëns - Introduction and Rondo Capriccioso
5.) Loudon Wainwright III - A Father and a Son



LR: Those are the categories. Which one of these do you listen to on the set?

JG: Actually, I just did this movie with Jim Sheridan called “Brothers” and randomly he picked this song “The River,” by Bruce Springsteen. He picked the live version. During rehearsals he would play it, and then he would play it on set too to get us in the mood of the scene, or he would play it in the middle of the scene. And so there’s this scene in the film where my brother has died and I am with his wife. We don’t get along very well, but as the movie has progressed we’ve started to get along better. We’re sitting together in front of a fire and we end up kissing at the end of the scene, which makes the movie very complex, and Jim decided to play this song, play “The River.”

Song: “The River (live)” by Bruce Springsteen & the E Street Band

JG: And what he did after that was he kept the music rolling and Natalie Portman, who plays my brother’s wife in the movie, she leaves the scene. Jim kept the film rolling on and on and on and I just kept listening to this song and by the end of this take, I just start to cry and cry, I couldn’t stop crying. I think a lot of it has to do with, it’s connection to my family, listening to Bruce Springsteen when I was a kid with my dad. My first concert I ever went to was the Born in the USA tour concert and I remember being with my father. I just think the story between father and son and the complications between those two positions in a family has always been a huge thing in my life. That’s also the heart of the movie I was making with Jim Sheridan.

I think FL told us it was "The River" in the script. Interesting that it was the song actually playing when the scene was filmed. It's U2's "Bad" that plays in the movie.



JG: This is “Introduction and Rondo Capriccioso,” by Saint-Saëns, it’s the Philadelphia Orchestra with Sarah Chang. I just imagine the finger work of this soloist and people who play fretless instruments always boggle me. I’m always am amazed like, ‘That has no frets?!’ *laughs* And this in particular, I’m taken so many places with this song. It really broke me out as a kid into the emotions and the intensity of classical music. This is another one of those things where I just remember being in the car and this is something that my father played me, and he’s *imitates his father’s voice* ‘Listen how the violin just dances on top of all the orchestra and then when the orchestra comes in…!’ You know, it’s so intense this song...



JG: My last one is called “A Father and A Son,” by Loudon Wainwright III. Although it’s called “A Father and A Son,” it was actually played for me by my mother first. Loudon Wainwright is extraordinary. Rufus is a friend of mine and I think he’s extraordinary.

LR: He’s amazing

JG: - as is Martha. Alice, too.

LR: I don’t know her.

JG: She has this beautiful song that’s on her MySpace page. She actually was my sister’s nanny. This song somehow encompasses, I guess, what I was saying about family. At the very end, Loudon Wainwright says “Maybe its hate, probably its love.” Man, *chuckles*, that sort of says it. And I think, somehow, the fact that he’s the patriarch of this family that is so kind of extraordinary is something to look up to, something to admire. They are, I know at least publically, they have complications and are open about it and it’s wonderful because we all try and pretend like everything’s ok, or that things are perfect or try to make them the way they’re ‘supposed to be,’ quote unquote, and I think this song is really about him being as honest as he can about his relationship with his son and just loving him deeply.

And to bring it back to Brothers:



JG: Jim Sheridan would always liken everything back to his family. He’d say to me one day, *imitates Jim Sheridan* ‘Jake! You know, you’re playing my brother in this movie so I’m gonna hate ya today. You know, this scene reminded me about my brother and I’m gonna hate ya today!’

I believe there are few things in life that you can guarantee are important and family is one of them. That’s what “Brothers” is about, that’s what a lot of these songs are about for me, and that’s what hopefully my life will be about. So, there ya go, 5 songs, man!



The segment was taped in early September:

As the booker/producer for the Guest DJ Project, I try to keep my list of guests close to the chest. I want listeners to be happily surprised when they find out their favorite chef, director or comedian etc… appears on the show. However, we do tape these in advance and sometimes I have a hard time keeping my mouth shut. This is one of those times, but for very good reason – yesterday we recorded sessions with both Jake Gyllenhaal and Scarlett Johansson. They coincidentally happened to be available on the same day but what really blew my mind was both how personal their stories were about songs that have inspired them and the fact that both expressed a lot of love for the station. Both are fans and were thrilled to be here.



And let's not forget Jake's other recent appearances: the Epix promo, if you missed it. And the hilarious Brothers trio Unscripted.

Please note: I kept the last post open for Brothers questions, if you are okay with spoilers.

(Photos courtesy of IHJ and KCRW.)

Sneaky Brothers

Warning: Spoilers ahead in the post and comments.

FL and I got a chance to see a screening of the Jake Gyllenhaal movie Brothers last night. FL had seen the original, and we both have seen the many clips and trailers Lionsgate has unleashed over the past month or so. But I think we were both still surprised by the movie and Jake's performance, as well as Natalie Portman and Tobey Maguire.



You could sense it from the clips we've seen, and it's true: This is a new and different Jake on screen. He's the charming rogue, but he's also a selfish jerk who finds out he can be selfless. He's definitely a damaged soul, someone who doesn't know how to cope with his feelings or his family. But he knows one thing - he loves his brother.

While I didn't buy Tobey's performance fully, he and Jake do a great job of establishing a fraternal rapport.



Jake and Natalie have a very easy, natural chemistry. Believable both as antagonists and as kindred spirits/lost souls.



Jake is amazing with the kids. It's so much fun to watch Tommy evolve from the very grumpy near-stranger to favorite uncle.



Some of the tensest and most effective scenes involve Jake and Sam Shepard, who plays his father. Simmering resentments and anger come to the surface a few times and, as in most families, get buried again.



Mare Winningham has a pretty thankless role, but this scene with Jake was one of the most moving for me. (Spoiler warning: Jake has just found out that Sam's dead and has left Grace and walked to his parents' house, but he doesn't go in. We just see him on the steps, and Elsie, his step-mother, tells him to come inside. Tommy doesn't move and simply says, "I just needed to sit down.")



Oh, and yes, this scene is in the movie :)



If you're worried that the trailers and clips gave too much away, don't be. You probably have seen a lot, but there are pieces of dialogue and action that fill in many of those scenes. I did not find the movie less affecting for having been semi-spoiled.

It's not a perfect movie. As some critics have noted, the Afghanistan sequences don't quite fit with the rest of the movie. that could be a good thing, since Sam Cahill doesn't fit with the family when he returns. But that's not quite the reason they don't work.

But it is a very good movie, I think. The audience laughed and gasped and cheered and seemed very involved and very moved. Jim Sheridan does have a way with families. All of the performers are good. David Letterman said there wasn't a false note in the movie. I might have sensed one or two, but they didn't detract from the overall song.

And Jake? He's funny and fierce and sad and sexy. Vulnerable and vicious. It's a great performance, and I can't wait to see it again and for all of you to see it, too!

Okay, that's my latenight, semi-coherent review. Please feel free to ask questions and, as always, post any interviews or reviews of note.

Unscripted

Moviefone asked Jake Gyllenhaal, Natalie Portman and Tobey Maguire to get together and answer questions submitted by users. Inevitably, hilarity ensues.





It's good to have a laugh at this point :)

Don't miss the three "viral" snippets, especially Number 3, which is a question for Jake: